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omeprazole 10 mg for dogs His real break with Moore came in 1959, when he won a travel grant to America, where his visits to studios and museums and meetings with young artists pushing at the frontiers of design fuelled his own ambition and imagination. He was much impressed by the critic Clement Greenberg, who criticised him for his classicism and attachment to the past and advised: “If you want to change your art, change your methods.” Above all, he was entranced by the work of the American sculptor David Smith, who drove Caro on by treating him as a rival rather than as a talent to be nurtured. “Moore was like both a parent and teacher to me,” Caro said in an interview with The Guardian last year. “Smith was much more like a competitor.”
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